The pieces I make in wood and precious metals, explore methods of cultural communication through personal adaptation. One example of this is how people in different cultures around the world and throughout history, have identified themselves using hairstyles. I find this form of expression particularly interesting. By expressing themselves this way, individuals define themselves in groups, ranks in society or in gender roles.

The forms I work with are vaguely biological, referencing plant or animal anatomy and invoking a connection with the primitive. Hair is a prehistoric trait that humans have, connecting us with the past. I use metal wire as a surface embellishment to reference hair.

In addition to this physical adaptation, I am also interested in personal adaptation. I want the pieces to be considered from the inside out, externally expressing an identity, with a mysterious inner space. Referencing what we are and where we came from, the pieces are created in recognition of the past, while alluding to the future. The process of making this work is as seductive to me as an artist, as I hope the work is for the viewer or wearer.